What Are Virtual Instruments Called? 🎹

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a computer monitor sitting on top of a desk in a recording studio

What are virtual instruments called? Most often, they’re called software instruments, virtual instruments, or instrument plugins. “VST” is common shorthand, but it refers to one plugin format—not every virtual instrument.

The difference matters when you’re choosing software: a virtual instrument makes sound, while MIDI carries the notes and performance instructions that tell it what to play. Think of MIDI as the recipe and the instrument as the kitchen; send the same notes to a piano plugin and a synth, and dinner sounds very different.

We’ve watched producers spend ages hunting for a “VST instrument,” only to discover their DAW was looking for an AU plugin—or that the MIDI track had no instrument loaded at all. Here’s the clear terminology, how the formats fit together, and what to check before you install or play one.

Key Takeaways

  • Virtual instrument and software instrument are the broadest names for computer-based tools that create musical sounds.
  • Instrument plugin means a virtual instrument running inside a host app, such as a DAW; some instruments also run standalone.
  • VST, VST3, AU, AX, and LV2 are plugin formats, not names for all virtual instruments.
  • MIDI is performance data, not audio. A virtual instrument receives MIDI and generates the sound.
  • Virtual instruments may use synthesis, recorded samples, physical modeling, or hybrid sound engines.
  • Before installing one, check DAW compatibility, plugin format, operating-system requirements, and sample-library needs.

Table of Contents

⚡️ Quick Tips and Facts

  • Virtual instruments are also called software instruments, software synths, or instrument plugins. The term depends on whether we mean the sound-making software itself or how it’s hosted.
  • A VST is a plugin format, not a synonym for every virtual instrument. VST instruments are one type; other formats include AU, AX, and LV2.
  • Most virtual instruments receive MIDI performance data—notes, timing, velocity, and controller information—and generate audio. MIDI is not the sound itself; the MIDI Association describes it as a protocol for communicating musical performance data.
  • You can play one with a MIDI keyboard, a DAW’s piano roll, or—if supported—your computer keyboard. No keyboard? No problem. The mouse can play piano, though it’s less piano and more “tiny office percussion.”
  • Two common sound-generation approaches are synthesis and sampling. Many modern instruments combine both.
  • Fast terminology check:
Term What it usually means
Virtual instrument (VI) Software that generates or plays musical sounds
Software instrument Another name for a virtual instrument
Instrument plugin A virtual instrument loaded into a host app, such as a DAW
VST / VST3, AU, AX, LV2 Plugin formats or standards
MIDI instrument / MIDI track Often a track that sends MIDI to an instrument; MIDI alone makes no sound

If you’re comparing the broader language around computer-based instruments, see our guide to What Do You Call Digital Instruments? 🎹 12 Names Explained (2026).

🎹 What Are Virtual Instruments Called?


Video: What is a VIRTUAL INSTRUMENT?








The most common names are virtual instruments, software instruments, and instrument plugins. They refer to software that creates musical sound inside a computer, either by synthesizing tones, playing recorded samples, or combining both methods.

The wording changes with context:

  • A musician might say, “I used a virtual piano.”
  • A producer might say, “I loaded a software instrument on the track.”
  • A DAW might list it under VST instruments or instrument plugins.
  • A sound designer might call the specific sound a patch, preset, or program—not the instrument itself.
If someone says… They probably mean…
“Virtual instrument” The general category of sound-making software
“Software instrument” A computer-based instrument, often inside a DAW
“VST instrument” An instrument plugin in Steinberg’s VST format
“Synth plugin” A virtual instrument that primarily uses synthesis
“Sample library” Recorded sounds played back and shaped by software
“MIDI instrument” Usually an instrument controlled by MIDI, though MIDI itself is not the sound source

One useful distinction: a virtual instrument can be a plugin, a standalone application, or both. AIR Music Technology, for example, describes Hype as both a synthesizer plugin instrument and a standalone instrument. The name tells you what it does; the format tells you how it connects.

Virtual instruments, software instruments, and plugins

These terms overlap, but they aren’t perfectly interchangeable.

A virtual instrument is the sound-making tool. A plugin is software designed to run inside another application, such as a DAW. So when a virtual instrument runs as a plugin, it is both a virtual instrument and a plugin. A standalone instrument can make sound without being hosted by a DAW, so it’s a virtual instrument but not necessarily a plugin at that moment.

In practical studio language, you’ll hear people use the labels loosely. That’s fine until you’re downloading software or troubleshooting compatibility. Then the difference matters: you need to know whether you’re installing an instrument, a plugin format, or a library required by the instrument.

Are virtual instruments the same as VSTs?

No. VST is one plugin technology; virtual instrument is the broader category. Steinberg’s VST technology allows compatible instruments and effects to run in a host application. Other plugin formats include Apple’s Audio Units (AU), Avid’s AX, and LV2, commonly used in Linux audio setups.

A virtual instrument may be available in more than one format. AIR Hype, for instance, lists AU, VST, VST3, and AX versions, as well as standalone operation on its official product page.

Virtual instruments vs. MIDI

MIDI is not a virtual instrument and usually contains no audio. It carries instructions such as which note to play, when to start and stop it, and how hard to play it. The instrument receiving those instructions creates the sound.

Think of MIDI as a recipe and the virtual instrument as the kitchen. Send the same MIDI notes to a piano plugin and a synthesizer, and you’ll hear two very different dishes. For a deeper look at MIDI’s role, the MIDI Association’s overview is a reliable starting point.

📚 The History of Virtual Instruments and Plugin Formats

a bunch of electronic keyboards sitting next to each other

Virtual instruments grew out of a practical studio problem: physical instruments made great sounds, but they took up space, cost money to maintain, and needed cables, mixers, and routing. Software began bringing more of that setup inside the computer.

Steinberg introduced its Virtual Studio Technology (VST) standard in the mid-1990s, helping developers build plugins that compatible music applications could host. By the early 200s, the idea of loading third-party software instruments into a DAW was becoming a familiar part of computer-based music production. For background on the format, see Steinberg’s VST information.

The shift wasn’t only about convenience. It changed how producers work:

  • Recall became easier: A project could reopen with instrument settings saved.
  • Sound libraries became expansive: A single sampler could host a wide variety of instruments.
  • Sound design became more accessible: One computer could run synths that once required dedicated hardware.
  • Portability improved: A producer could carry a project and compatible plugins rather than a rack of gear.

We remember early virtual instruments as exciting and occasionally… less than convincing. One account in the featured video recalls hearing an early instrument that “sounded horrible,” while still sensing the potential. That’s a familiar arc in audio technology: the first version makes you wince; the next makes you stay up until 2 a.m. tweaking a preset.

🎼 Types of Virtual Instruments


Video: MIDI, DAWs, and Virtual Instruments Explained.








Virtual instruments are grouped by how they generate sound, what they imitate, or what job they do in a production. These categories overlap: a drum instrument may use samples, while a modern synth may blend samples with wavetable synthesis.

Type Typical sound source Good for
Software synthesizer Oscillators, modeled circuits, wavetables, or combinations Bass, leads, pads, sound design
Sample-based instrument Recorded audio mapped across notes and velocity layers Piano, strings, drums, realistic instruments
Physical-modeling instrument Mathematical model of how an instrument vibrates Expressive acoustic-style sounds and unusual hybrids
Hybrid instrument Two or more sound engines, often synthesis plus sampling Layered, evolving, cinematic textures

Software synthesizers and synth plugins

A software synthesizer creates sound electronically in software. It may use virtual analog oscillators, FM synthesis, wavetable playback, granular methods, or several engines at once. That makes it useful for both familiar musical parts and sounds that don’t correspond to any physical instrument.

Examples include Arturia Pigments, Xfer Records Serum, and AIR Hype. Each gives you a different balance of synthesis methods, modulation controls, presets, and workflow.

Our sound-design tip: Don’t begin by turning every knob. Start with a preset that’s close to your target, then change one thing at a time—filter, envelope, modulation, or effects. You’ll learn what’s shaping the sound instead of creating a mysterious patch that only works by accident.

For more sound-shaping ideas, explore our music production techniques and plugin recommendations.

Sample-based instruments and virtual libraries

A sample-based instrument plays recordings—often notes or articulations recorded from an acoustic or electronic source. Software maps those samples across a keyboard and may switch between recordings based on note velocity, pitch, articulation, or playing style.

To make playback feel more natural, libraries may use:

  • Velocity layers: Different recordings respond to soft or strong playing.
  • Round-robin samples: Repeated notes rotate among alternate recordings to reduce the machine-gun effect.
  • Key switches: Certain keys select articulations such as staccato, legato, or pizzicato.
  • Release samples: Additional recordings help capture the sound as a note ends.

Large orchestral collections and deeply sampled pianos can need substantial storage and memory. Always check the library’s stated requirements and installation method before downloading. Some libraries work in a dedicated player; others require a sampler platform such as Native Instruments Kontakt.

Virtual pianos, drums, guitars, and orchestral instruments

Instrument emulations are designed around familiar musical roles:

  • Piano and keyboard plugins offer acoustic pianos, electric pianos, organs, and related keyboard sounds.
  • Drum instruments trigger individual hits, kits, or sequenced patterns.
  • Guitar and bass plugins can play sampled performances, modeled tones, or both.
  • Orchestral libraries provide instrument sections, articulations, and performance controls for composing scores.
  • World and folk instruments can supply distinctive timbres without needing to source or record the physical instruments.

A convincing virtual instrument depends on more than the sound samples. Performance controls matter. A violin patch played with one static articulation may sound stiff; the same library controlled with expression, dynamics, and articulation changes can feel much more alive.

Physical modeling and hybrid instruments

Physical modeling uses calculations to imitate how a sound-producing object behaves: how a string vibrates, how air moves through a tube, or how a resonating body responds. It can offer expressive control without relying only on a bank of recorded notes.

Hybrid instruments combine sound engines. AIR describes Hype as bringing together FM, wavetable, virtual analog, and sampled sound engines, with built-in effects and performance controls on its official page. That combination suits layered patches where the attack comes from one source and the evolving tail comes from another.

We’ve found hybrid instruments especially handy when a plain preset feels too tidy. Blend a sharp sampled pluck with a wavetable pad and a little modulation, and suddenly the sound has a front edge and a horizon.

🔌 Common Virtual Instrument Plugin Formats


Video: Virtual Instruments: Pros & Cons.







The format matters because it determines whether your DAW can load a particular plugin. Check the format before installing, especially when moving between Windows, macOS, and Linux or switching DAWs.

Format Common host environments Notes
VST / VST3 Many Windows and macOS DAWs; some Linux hosts support VST options Steinberg’s plugin technology; VST3 is a newer iteration
AU Apple platforms and compatible macOS applications Apple’s Audio Units format
AX Pro Tools Avid’s plugin format
LV2 Linux audio applications, including compatible hosts such as Ardour Open plugin standard used in Linux audio
Standalone Runs as its own application May not require a DAW to play

VST and VST3

VST and VST3 are formats created by Steinberg. VST3 is the newer version, but your exact compatibility depends on the plugin and host versions. A plugin can be installed correctly yet remain invisible if your DAW is scanning a different folder or only supports another format.

Steinberg provides the format’s background and developer information through its VST site. When installing, select the format your DAW supports and avoid keeping multiple outdated copies in confusing locations.

Audio Units (AU)

AU is Apple’s plugin format for compatible macOS music applications. If a manufacturer offers both AU and VST3, check your DAW’s documentation to see which it supports and recommends. Don’t assume every plugin format listed on a product page is available on every operating system.

AX and other plugin formats

AX is commonly associated with Pro Tools. LV2 is often encountered in Linux audio applications. Linux users may also run into LADSPA or Linux VST plugins, depending on their software and setup.

An Ardour community discussion about running the Wolpertinger instrument distinguishes LV2, Linux VST, and LADSPA installation paths—and notes a simple but easily missed step: Ardour needed a restart before the plugin appeared. See the Ardour forum discussion. Plugin directories and scanning behavior can differ by operating system, so follow the host’s instructions rather than copying files into a random folder and hoping for the best.

🎛️ How Virtual Instruments Work in a DAW


Video: What Is a VST?








In a typical setup, a DAW sends MIDI notes to an instrument plugin. The instrument generates audio, then the DAW routes that audio through track processing, buses, and the master output.

Basic signal flow:

MIDI keyboard or piano roll → MIDI data → virtual instrument → audio signal → effects and mixer → speakers or export

A MIDI track and an instrument track may be named differently in different DAWs, but the core idea is the same: MIDI controls the instrument; audio comes out of the instrument.

MIDI input, sound generation, and audio output

MIDI communicates performance information—note number, note-on and note-off, velocity, pitch bend, and other controls. The instrument interprets that data and generates sound. The MIDI Association provides the reference for MIDI 1.0, while newer MIDI capabilities are covered by its MIDI 2.0 resources.

To hear a virtual instrument:

  1. Create an instrument track or load an instrument on a MIDI-capable track.
  2. Choose the instrument and load a preset or patch.
  3. Set the MIDI input to your keyboard or controller, if you’re playing live.
  4. Arm or enable monitoring if your DAW requires it.
  5. Play notes and confirm that the instrument track’s audio meter moves.
  6. Route the track to your speakers or headphones through the DAW’s mixer.

If MIDI activity appears but the audio meter stays still, check the instrument’s output, track routing, and whether a preset or sample library has loaded.

Standalone software vs. instrument plugins

A standalone instrument opens like a regular application. It can be useful for practice, live performance, or testing a sound without launching a DAW. A plugin runs inside a host application, which lets you record and mix it alongside other tracks.

Use case Standalone Plugin inside a DAW
Practice or quick sound audition ✅ ✅
Record MIDI and arrange a song Sometimes limited ✅
Use DAW automation and effects ❌ or limited ✅
Perform without a full DAW project ✅ Depends on host setup
Recall settings as part of a song session Varies Usually supported by the project

Some instruments offer both modes. AIR lists Hype as a standalone instrument and as a plugin in multiple formats on its product page.

Presets, automation, and performance controls

A preset—also called a patch or program—is a saved instrument setup. It may include the sound engine settings, effects, modulation, and control assignments.

For expressive playing, use more than note-on and note-off:

  • Velocity can change volume, tone, or sample layer.
  • Modulation and expression can shape sustained sounds.
  • Pitch bend adds slides and performance inflection.
  • Aftertouch or MPE can provide additional control on compatible instruments and controllers.
  • DAW automation can move plugin controls across a song.

The featured video points to newer MIDI controllers such as the Native Instruments Komplete Kontrol range and the Expressive E Osmose as options for deeper hands-on expression. But you don’t need an advanced controller to start. An older MIDI keyboard can still play modern virtual instruments—just connect it using the appropriate MIDI interface.

🆚 Virtual Instruments vs. Hardware Instruments


Video: A Tour of the Virtual Instruments in Fender Studio Pro | Fender Studio.








Virtual and hardware instruments each have strengths. The best choice depends on how you make music—not on which side of the studio fence has the shinier knobs.

Consideration Virtual instruments Hardware instruments
Physical space Usually minimal Requires room and setup
Sound selection Often broad and preset-rich Depends on each device
Recall Often saved inside the DAW project May require manual notes or patch storage
Hands-on control Mouse, keyboard, controller, or touch interface Dedicated physical controls
Portability Projects and plugins can travel digitally Requires carrying the instrument and accessories
Maintenance Software updates and compatibility management Hardware care, cables, and possible servicing
Sound Can range from sample-based realism to original synthesis Unique circuitry, controls, and performance feel

For more on choosing between the approaches, see our hardware vs. software guide.

Advantages and trade-offs

Virtual instruments are especially useful when you want:

  • Many sounds in one setup.
  • Easy recall of presets and project settings.
  • Quiet production through headphones.
  • Fast access to sampled instruments or sound-design tools.
  • A portable setup without a room full of equipment.

Hardware may be preferable when you want:

  • Dedicated physical controls and immediate tactile feedback.
  • A particular instrument’s unique sound or workflow.
  • A self-contained performance setup.
  • Less time managing software versions and plugin compatibility.

And there’s no rule against mixing them. A hardware synthesizer can send audio into a DAW while virtual instruments provide extra layers. The comparison is less “one replaces the other” and more “which tool earns a place in this track?”

Latency, CPU, storage, and sound quality

Virtual instruments use computer resources. Synth plugins may lean on the CPU; large sampled libraries can consume storage and memory; low audio-buffer settings can reduce monitoring delay but demand more from the system.

What you notice Common cause First thing to try
Delayed notes High audio buffer or heavy processing Lower the buffer for recording, then raise it for mixing
Crackles and dropouts CPU load, buffer too low, or overloaded routing Increase buffer size and freeze or bounce demanding tracks
Slow library loading Large samples or slow storage Check the library’s drive and installation requirements
Plugin missing Wrong format, install path, or incomplete scan Confirm compatibility, rescan, and restart the DAW

There’s no universal system specification for “virtual instruments”; needs depend on the product. As one example, AIR’s published Hype requirements include a dual-core 2.5 GHz processor and 4 GB RAM, with 8 GB recommended, plus listed operating-system and plugin-host compatibility. Check the current Hype product information before installing, and use the same habit for any instrument you buy.

🛒 How to Choose a Virtual Instrument


Video: Studio One – Intro to Virtual Instruments.








Start with the sound you need, then check the boring-but-vital details. A beautiful orchestral library is not a win if your DAW can’t load its format or your laptop can’t comfortably stream its samples.

Match the instrument to your music and workflow

Ask yourself:

  1. What sound am I trying to make? Piano, drums, synth bass, orchestral strings, or experimental textures?
  2. How will I play it? MIDI keyboard, mouse, pads, piano roll, or live controller?
  3. Do I need realism or flexibility? A sample library may suit realistic performance; a synth may better for sound design.
  4. Do I want a fast preset workflow or deep editing? Some instruments prioritize browsing and macro controls; others expose extensive synthesis parameters.
  5. Will it fit my sessions? Consider CPU use, sample-library size, and how many instances your projects need.

A good instrument should help you make music faster, not turn every cue into an equipment-research expedition. Our plugin recommendations can help you compare tools by role.

Check DAW, operating system, and plugin compatibility

Before installing, confirm:

  • Your operating system and version are supported.
  • Your DAW supports the plugin format you plan to use.
  • The plugin supports your computer’s processor architecture.
  • Any required sample library or player is installed.
  • You have enough available storage and memory.

If a project reports a missing instrument, don’t immediately delete the track or replace it. In a Steinberg forum discussion, a Cubase user reported that tracks previously associated with EastWest Opus appeared under an unexpected name, “Voices of Soul,” and that most affected tracks showed a missing-plugin message. The supplied discussion did not establish a confirmed cause or fix. That’s exactly why we recommend checking the plugin name, format, library availability, and project backups before making destructive changes.

Free vs. paid virtual instruments

Free instruments can be excellent for learning and production. Paid instruments may offer a larger or more specialized library, deeper editing, dedicated support, or a particular workflow—but a price tag does not guarantee a better result.

Consideration Free instrument Paid instrument
Getting started ✅ Low barrier to test a workflow ✅ Often offers guided setup or support
Sound library Can be focused or surprisingly broad May include more content or specialized recordings
Updates and support Varies by developer Often clearer support channels, but still varies
Long-term usefulness Depends on compatibility and maintenance Depends on whether the tool fits your projects

Our recommendation: Start with a reputable free instrument or the tools included with your DAW. Learn what you actually need—better piano realism, richer synthesis, specific orchestral articulations—before expanding your library. You can browse our music production techniques for ways to get more from the instruments you already have.


Video: Virtual Instruments vs Real… does it matter? – RecordingRevolution.com.








There’s no single “best” virtual instrument for everyone, so compare by sound source and workflow. The following are real products from established developers; always verify the latest compatibility and feature information with the manufacturer.

Synthesizers and sound-design plugins

  • Arturia Pigments: A hybrid synthesizer suited to layered patches and modern sound design.
  • Xfer Records Serum: A wavetable synthesizer widely used for designing leads, basses, and evolving textures.
  • AIR Hype: A preset- and macro-oriented synth combining FM, wavetable, virtual analog, and sampled engines.
  • Spectrasonics Omnisphere: A large hybrid instrument for synthesis and sound-source-driven textures.

The featured video uses instruments such as Softube Model 77 and Arturia Pigments to illustrate the difference between synthesis-based, sampled, and hybrid approaches. The main takeaway is useful: a plugin’s label is less important than how it creates sound and how you control it.

Piano, drums, and sampled instruments

Listen for how each tool handles note transitions and repeated hits. A bass patch that sounds impressive one held note may respond quite differently when played with slides, legato, and changing velocity.

Orchestral and cinematic libraries

Orchestral libraries often depend on articulations, expression controls, and performance programming. If the sound feels stiff, check whether you need to switch articulations or automate dynamics rather than reaching immediately for another library.

🧰 Setting Up and Using a Virtual Instrument


Video: Bamboo Balloon Beat: Handmade Musical Instrument Innovation #idea #crafts.








Here’s a reliable basic setup. Your DAW’s labels may differ, but the workflow is broadly similar across applications such as Ableton Live, Logic Pro, Steinberg Cubase, and Ardour.

Installing and scanning plugins

  1. Download from the developer’s official site or an authorized retailer.
  2. Check the system requirements and select the plugin format supported by your DAW.
  3. Install the plugin and any required content library. Large sample libraries may use a separate installer or content manager.
  4. Open your DAW’s plugin manager and confirm the instrument appears in the correct category.
  5. Run a plugin scan if it does not show up automatically.
  6. Restart the DAW if the host requires it. In the Ardour community example, restarting was necessary before Wolpertinger appeared in the plugin manager: read the discussion.

Don’t move plugin files after installation unless the developer or DAW documentation tells you to. A plugin in the wrong location is the software equivalent of a guitar cable plugged into the coat closet.

Playing with a MIDI keyboard or computer keyboard

To play a virtual instrument live:

  1. Connect your MIDI keyboard or controller by USB, or through a suitable MIDI interface.
  2. Enable it in your DAW’s MIDI-device preferences.
  3. Create or select an instrument track.
  4. Choose the controller as the track’s MIDI input.
  5. Enable input monitoring or record-arm the track as required.
  6. Play a few notes and watch the track meters.

A computer keyboard can work when the instrument or DAW supports it, but it usually offers a limited range and less expressive control. If you have an older keyboard with MIDI output, you may still be able to use it through a MIDI-to-USB interface. The featured video makes the same encouraging point: you may already have a usable keyboard tucked away at home.

For more playing advice, see our performance techniques.

Recording, editing, and exporting

  1. Record MIDI by playing the part or drawing notes in the piano roll.
  2. Edit timing and note lengths without changing the instrument sound.
  3. Adjust velocity and expression to shape dynamics and articulation.
  4. Automate plugin controls such as filter cutoff, volume, or modulation.
  5. Mix the instrument’s audio with effects and other tracks.
  6. Export or bounce the track to audio when you need to share it, reduce CPU load, or preserve a finished performance.

Keeping MIDI editable is useful while arranging; printing to audio can be helpful once the sound is settled. Many producers keep both versions in a project so they can preserve flexibility without making the session depend entirely on a plugin remaining installed.

🔧 Troubleshooting Common Virtual Instrument Problems


Video: Cocomelon 🍉Theme on Percussion Tubes Instrument🎵 #satisfying #instruments #cocomelon.







When a virtual instrument fails, identify which stage is broken: installation, plugin scan, MIDI input, sound generation, or audio routing. That simple check saves a lot of frantic clicking.

Plugin not appearing in your DAW

Check these in order:

  1. Is the installed format supported by your DAW?
  2. Is the plugin in a directory that your DAW scans?
  3. Did the installation finish successfully?
  4. Does the developer offer a version compatible with your operating system and processor?
  5. Have you rescanned plugins and restarted the DAW?

On Linux, paths and formats may include LV2, LADSPA, or Linux VST; the Ardour discussion gives a community example involving several formats. Use your DAW’s current documentation rather than assuming the same folder applies to every system.

No sound, crackling, or latency

  • No sound: Confirm the instrument has a loaded preset, MIDI is reaching the track, and the audio output is routed correctly.
  • Crackling: Increase the audio buffer, reduce CPU-heavy processing, or freeze/bounce tracks.
  • Latency: Lower the buffer while recording, then raise it during mixing if needed.
  • MIDI activity but no audio: Check the instrument’s output level, track monitoring, and sample-library status.

If the instrument feels delayed, don’t immediately blame the plugin. The audio driver, buffer size, interface, and project load can all contribute.

Missing samples and library-loading errors

A sampler can load correctly while its sound library is missing or stored somewhere unexpected. Open the instrument’s library manager, locate the content folder, and use its relink or locate function if available. Avoid deleting project tracks until you’ve checked for backups, the original plugin name, and the library’s current installation path.

This is especially relevant when a project displays a surprising instrument name. In the Cubase forum report about EastWest Opus, the cause remained unresolved in the supplied discussion. The practical lesson is not to guess: record the exact error, verify the plugin and library, and preserve a copy of the project before trying fixes.

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